Film Night

Wednesday, July 17 - at 7 pm – at The Barn

Westben presents XL Outer Worlds, a collection of short experimental art films produced by Janine Marchessault and featuring the work of artists Oliver Husain, Lisa Jackson, Kelly Richardson, Michael Snow, and Leila Sujir. Each of the films explores the world of expanded cinema through different ecologies of the nonhuman: the forest, lichen, snails, water, and sky. Immediately following the viewing in The Barn, enjoy a live, collaborative musical performance on the Meadow with sound artist Mani Mazinani and artists from Westben’s Performer-Composer Residency. A spectacular exploration of sound, nature, and music…

Meet the artists in a Q & A after the musical performance.

TICKET PRICES

$25.00 Adult | $23.00 Senior

$5 Under 18

(all ticket prices + HST)

About Janine Marchessault, Film Producer

Janine Marchessault is a professor in Cinema and Media Arts and holds a York Research Chair in Media Art and Social Engagement. Her research has engaged with four areas: the history of large screen media (from multiscreen to Imax to media as architecture and VR); diverse models of public art, festivals, and site specific curation; 21st century moving-image archives and notions of collective memory/history. She is a founder of the Future Cinema Lab, and the 2014-2016 inaugural Director of Sensorium: Centre for Digital Arts Research. A Trudeau Fellow, she is also a Fellow of the Royal Society of Canada.

She belongs to the CinemaExpo67.ca research group and is a founding member of the Public Access Curatorial Collective. Her latest project is an expanded cinema festival Outer Worlds outerworlds.org—commissioning five IMAX films by artists which premiered at the Cinesphere in 2019 as part of Images Festival.

Dr. Marchessault is the PI for Archive/Counter-Archive: Activating Moving Image Heritage (2018-2024 SSHRC Partnership Grant) counterarchive.ca, a research collaboration involving more than 14 community and artist run archives in Canada devoted to diverse histories from Indigenous, LGBTQ, immigrant and women’s histories. Her research explores the afterlife of moving image archives as art forms and new forms of historical knowledge.